Categoría: INTERNET

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  • Tech investors give their top predictions for 2024 – GeekWire

    Tech investors give their top predictions for 2024 – GeekWire

    Clockwise, from top left: Kellan Carter of Fuse; Madin Akpo-Esambe of Tacoma Venture Fund; Maria Gilfoyle of Madrona Venture Group; Greg Gottesman of Pioneer Square Labs; and Sheila Gulati of Tola Capital.

    The pace of AI-related innovation accelerated, to say the least, in 2023.

    Expect the same this year — or even more.

    That’s the word from a group of Seattle-area tech investors who shared their top prediction for the new year. Read on for their takes.

    Madin Akpo-Esambe, investor at Tacoma Venture Fund

    “Next year will bring an unprecedented wave of startup acquisitions and wind downs, but we’ll start to see the early innings of the next wave of future unicorns with proven applied AI innovations emerge. The genie is certainly out of the bottle on AI as a fundamental platform shift and it’s here to stay. Similar to the 2008 and 2009 wave of applications that rode the wave of mobile, new technologies that are cracking tangible applied-use cases of AI will start to pick up steam in 2024.”

    Sheila Gulati, managing director at Tola Capital

    “The integration of multi-modal models is set to unveil fresh opportunities at the application layer while simultaneously introducing new challenges and innovation prospects at the infrastructure layer. The remarkable speed at which open source models have matched, and in some cases surpassed, their proprietary counterparts in terms of performance is truly noteworthy. Looking ahead to 2024, the rapid pace will persist, accompanied by the rise of specialized vertical and domain-specific models entering the market, alongside the more generalized, pre-trained models. Brace for a year where innovation and specialization intersect to shape the future of model development.”

    Greg Gottesman, managing director at Pioneer Square Labs

    “By the end of 2024, machines will write more than half of the new code generated globally.”

    Maria Gilfoyle, investor at Madrona Venture Group

    “We will see innovative AI tools designed to meet users where they already are — in their workflow. The distribution of AI tools will become more critical than the model used under the application, as long as the model functions correctly. Additionally, for startups, I predict a shift away from text/chat-based UX for AI-native applications in 2024. The future lies in apps that take a multi-modal approach to perform tasks like updating records, scheduling events, booking a restaurant, editing paragraphs, leaving comments, and completing action items after approval from the user.” 

    Kellan Carter, founding partner at Fuse

    “Large platforms will continue to innovate at a rapid pace and capture much of the AI momentum. It will continue to force Washington, D.C., to take notice, but likely nothing of regulatory substance given how new the category is.”

  • Almost All Of Kate Hudson’s Highest Box Office Films Share One Thing In Common

    Almost All Of Kate Hudson’s Highest Box Office Films Share One Thing In Common

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    Kate Hudson’s most financially successful live-action film remains the 2003 romantic comedy «How to Lose a Guy in 10 Days,» which grossed around $178 million at the worldwide box office when it was released. Her second-highest-grossing film is «You, Me and Dupree,» followed by «Bride Wars» and «Fool’s Gold,» the latter of which reunited her with her «How to Lose a Guy in 10 Days» co-star, Matthew McConaughey. Hudson’s top five, meanwhile, is capped off by the Mark Wahlberg-led disaster drama «Deepwater Horizon.»

    That Peter Berg-directed 2016 film is one of the non-rom-coms featured on the list of Hudson’s 10 highest-grossing movies, which also includes the 2005 horror flick «The Skeleton Key» and the 2009 romantic musical «Nine.» Her top 10 is, however, rounded out by a pair of comedies: 2011’s «Something Borrowed» and 2004’s «Raising Helen.» So it’s not hard to see why most moviegoers associate Hudson primarily with her work in the rom-com genre. Not only has she made a large number of rom-coms, but many of them also rank as her most successful films to date.

    While most of these comedies weren’t received well critically, their strong box office performances speak for themselves. The fact that Hudson is still getting roles in films like «Glass Onion: A Knives Out Mystery» and shows like «Truth Be Told» further proves how much of an impact she made throughout the 2000s. It also makes it a bit easier to get over some of the parts that she’s lost out on over the years, including Kat in «10 Things I Hate About You.» At this point, it seems safe to say that she’s done well enough without them.

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  • The Real Reason Zack Snyder’s Netflix Movie Is So Blurry

    The Real Reason Zack Snyder’s Netflix Movie Is So Blurry

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    While the blurry quality of «Rebel Moon» can be chalked up to an artistic choice by Zack Snyder, it’s clear from critical reviews and general online buzz that not everyone is a fan of the effect. In fact, the technique even frustrated some of the people working on the movie for making their jobs far more complex. 

    Snyder explained to TechRadar that the «Rebel Moon» visual effects team had to put in extra work to make the movie’s CGI fit in with the image produced by the special camera lens. That’s quite the intensive post-production task, considering that the film extensively employs CGI to craft its fantastical sci-fi world, with some shots being almost entirely composed of VFX. «They had to add aberration to their full CG shots,» Snyder said.

    Despite the complexity of the task, Snyder was intent on achieving a unique effect that permeates all of «Rebel Moon» — from its live-action elements to its CGI creations. «They’d mapped all the lenses, so they asked me, ‘If this was on a 24mm film reel, the CGI would be out of focus. How do you feel about that?’ and I’m like, ‘Yeah, that’s amazing,’» the director said. «Then they’d say, ‘You know, we don’t have to do that’ and I’d reply, ‘No, I really want it,’ so it’s really fun to see all of that come together, and incredibly satisfying to create this retro feeling I was trying to get with the overall look.»

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  • How Old Was Tom Cruise In 1986’s Top Gun Compared To Its Sequel Maverick?

    How Old Was Tom Cruise In 1986’s Top Gun Compared To Its Sequel Maverick?

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    According to The Sydney Morning Herald, Tom Cruise isn’t planning on changing his status as one of Hollywood’s top action stars any time soon. In fact, the actor cited Harrison Ford as an inspiration and suggested that he might even have another two decades of action movies in the future, just like the «Star Wars» star.

    «Harrison Ford is a legend; I hope to be still going. I’ve got 20 years to catch up with him,» Cruise said of the 81-year-old actor. «I hope to keep making Mission: Impossible films until I’m his age.» While it’s true that Ford is still in the action game after all of these years, it may be tough for Cruise to continue with his typical tenacity as the years go by; the veteran actor has made his mark on the entertainment industry by performing a wide array of his own jaw-dropping stunts, each one more ridiculous than the last. 

    Still, with at least one more «Mission: Impossible» movie on the horizon and Cruise’s plans to continue with tentpole action movies indefinitely, fans of the star can expect to be watching him complete even more impressive feats, at least for a few more years. Furthermore, with the massive success of «Top Gun: Maverick,» it’s possible that there could be another installment in that franchise coming down the pipeline as well.

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  • What Marvel’s Thanos Looks Like In Real Life

    What Marvel’s Thanos Looks Like In Real Life

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    While some comic book readers may not know what he looks like in real life, it’s worth noting that Josh Brolin has been a working Hollywood actor since the ’80s. His first-ever screen role was that of Brand in the beloved 1985 adventure film, «The Goonies.» He followed up his breakout turn in that film with roles in a string of other, lesser-known ’80s and ’90s movies, including «Thrashin’,» «The Road Killers,» and «Nightwatch.» Later, he appeared as Llewelyn Moss in 2007’s «No Country For Old Men,» which re-established him as one of the most promising actors of his generation.

    The next year, he played George W. Bush in Oliver Stone’s «W.» and Dan White in «Milk,» the latter of which earned him his sole Oscar nomination to date. In the years since then, Brolin has had noteworthy roles in high-profile films like «Men in Black 3,» «Sicario,» and «Dune.» He’s also appeared in a handful of other acclaimed dramas and comedies, including «True Grit,» «Hail, Caesar!,» «Only the Brave,» and «Inherent Vice.» He even dipped his toes into the comic book genre, albeit unsuccessfully, when he played the eponymous role in 2010’s «Jonah Hex.»

    In 2018, after making his first screen appearance as Thanos in 2014’s «Guardians of the Galaxy,» Brolin even took on the iconic role of Cable in «Deadpool 2.» His turn as Cable didn’t require Brolin to undergo the same kind of CGI transformation that Thanos demanded, but it turns out that the actor actually preferred playing the purple-skinned cosmic dictator to his time-traveling «Deadpool 2» mercenary.

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  • An Avengers Vs X-Men Movie Is In The Works

    An Avengers Vs X-Men Movie Is In The Works

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    «X-Men ’97» will debut on Disney+ in 2024 and serve as a continuation of «X-Men: The Animated Series.» However, The Cosmic Circus reports that it might be tied to the wider Marvel Cinematic Universe, with the franchise’s new X-Men reportedly being inspired by the character designs from the series. Elsewhere, there have been internal discussions about a mutant-themed series on Disney+ that will focus on the individual characters before integrating them into a team.

    Of course, «Deadpool 3» will probably give us more answers pertaining to the X-Men’s upcoming role in the MCU. That movie will see Ryan Reynolds’ Merc with a Mouth team up with Hugh Jackman’s Wolverine for a multiversal adventure, one that could theoretically introduce us to X-Men from different timelines. It’s also worth noting that Laura Kinney (Dafne Keen), aka X-23, might be in «Deadpool 3,» potentially opening the door to the character leading a new generation of mutants, which was teased at the end of «Logan.» A standalone X-23 movie has also been discussed in the past, but a project of that ilk could realistically exist alongside a more traditional X-Men franchise.

    As it stands, Marvel fans must be patient and see how events unfold in the coming months. But an «Avengers vs. X-Men» film, or any mutant-themed project for that matter, might be the injection of excitement the MCU needs following the mixed responses to some of its recent releases.

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  • Marvel Will Sideline The Avengers For The X-Men After Secret Wars

    Marvel Will Sideline The Avengers For The X-Men After Secret Wars

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    You don’t need extensive knowledge of comic book lore to know that on their own, the X-Men can take on the box office just fine by themselves. Arriving on the big screen in 2000, they transformed names like Wolverine (Hugh Jackman), Charles Xavier (Patrick Stewart), and Magneto (Ian McKellen) into movie-based money magnets, and the same will probably happen when they arrive and stay in the MCU, where fans have wanted them for years. The difference here is that, in the right hands, this other corner of the franchise could open doors — not just at Xaviers School for the Gifted, but other teams, groups, and standalone heroes carrying the mutant gene.

    We know Wolverine can hold his own in a solo film, but what about Kitty Pryde, Gambit (who almost got his own movie with Channing Tatum in the lead), or Storm (who married and divorced Black Panther in the comics)? There’s enough to work with that this supposed strategy might be productive, allowing the X-Men to take over and save the MCU, returning the franchise to its former glory.

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  • Donald Trump Fires Back At Claims He Bullied His Way Into Home Alone 2

    Donald Trump Fires Back At Claims He Bullied His Way Into Home Alone 2

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    For the 30th anniversary of «Home Alone» in 2020, Chris Columbus revealed some behind-the-scenes stories to Business Insider. According to the director, the Donald Trump cameo in the sequel came about because the film was shot at The Plaza Hotel, then a Trump property. In the movie, Kevin McCallister (Macaulay Culkin) runs into Trump in the hotel and asks for directions.

    «Trump said OK,» said Columbus, adding that the real estate mogul had one stipulation. «He also said, ‘The only way you can use the Plaza is if I’m in the movie.’ So we agreed to put him in the movie, and when we screened it for the first time the oddest thing happened: People cheered when Trump showed up on-screen. So I said to my editor, ‘Leave him in the movie. It’s a moment for the audience.’ But he did bully his way into the movie.»

    For whatever reason, Trump waited three years to make his online retort. But the scene has been a subject of controversy for a few years. In 2019, Trump caught wind of the fact that a Canadian broadcast had edited out his cameo. Trump blamed Prime Minister Justin Trudeau for the «Home Alone» snub, claiming it had to do with geopolitical disputes. The broadcasting company, meanwhile, confirmed that the edits had been made in 2014 to save time. The cameo came up again in 2021 when, after the January 6 insurrection, someone suggested digitally replacing Trump with an adult Macaulay Culkin. The actor replied on X (formerly known as Twitter,) «Sold.»



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  • Zack Snyder Confirms His Cinematic ‘Holy Grail’ (It’s Not A Superhero Movie)

    Zack Snyder Confirms His Cinematic ‘Holy Grail’ (It’s Not A Superhero Movie)

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    A few months before «Part One – A Child of Fire» in December 2023, Zack Snyder revealed his «Rebel Moon» inspiration, telling /Film that it’s a space opera that was born of an idea he pitched to Lucasfilm more than a dozen years ago to fit within the framework of the «Star Wars» universe. When George Lucas’ legendary production company rejected the idea, Snyder created his own space story. Snyder admitted in an exclusive interview with Looper, however, that he left a little «Star Wars» DNA in «Rebel Moon.»

    «What it allowed is that any of the ‘Star Wars’ iconology that you might see in the movie now that’s left over is there by design,» Snyder told Looper. «In the end, I can’t help myself 100% from being a slight deconstructivist and taking a subversive look at the overall science fiction landscape or the sort of pantheon of mythology that we accept as our cinematic touchstones.»

    So, while Snyder might not see the project as entirely his own IP, cast member Ray Fisher told Looper in an exclusive interview that «Rebel Moon» has changed the game. «Even prior to getting to work with him, I’ve admired his work for years, and being able to jump into the saddle with him in this brand-new IP, this brand-new world, the brand-new universe — not even a world — a universe that he’s bringing to life, it’s amazing,» said Fisher, who previously starred as Victor Stone-Cyborg in «Zack Snyder’s Justice League.»

    «Rebel Moon: Part One – A Child of Fire» is streaming exclusively on Netflix.

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  • Star Trek IV: The Voyage Home’s Infamous Extra Story Isn’t Just Iconic

    Star Trek IV: The Voyage Home’s Infamous Extra Story Isn’t Just Iconic

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    The thing that made Layla Sarakalo’s appearance in «Star Trek IV: The Voyage Home» so memorable was that she ignored the production’s orders to only interact with the actors but not speak on camera. In the scene, a befuddled Chekov and Uhura ask various people on a busy San Francisco street where the naval base in Alameda is because they are seeking, as Chekov says in his accent, «nuclear wessels.» 

    Most of the extras — including one dressed as a motorcycle cop — follow instructions and do not answer Chekov and Uhura. Sarakalo, though, stops and answers, «Ooh, I don’t know if I know the answer to that. I think it’s across the bay in Alameda,» before moving on. Chekov then says, «That’s what I said — Alameda. I know that.» Although Sarakalo’s interaction with Chekov and Uhura lasts just over 10 seconds, the improvised dialogue by the background artist was memorable enough for Nimoy to include in the movie. 

    Memory Alpha adds that Sarakalo’s identity remained a mystery until 2005, when the fashion designer came forward to talk about how her brief «Star Trek» movie moment came to be. Among Sarakalo’s professional accomplishments — which don’t officially include acting, as «The Voyage Home» was her only screen appearance — is artwork she made based on Stephen Hawking’s name and image, which she created with the iconic scientist’s permission.

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  • Legacy Rumor Teases James Gunn’s Supergirl For DC Universe Reboot

    Legacy Rumor Teases James Gunn’s Supergirl For DC Universe Reboot

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    The casting choices for Superman and Supergirl are a top priority, but getting the right Krypto on the case is just as important. Not only is Superman’s faithful canine companion rumored to be appearing alongside Kara in her film, but he might also have a bark that goes further than just this installment of the DC Universe. According to r/DCEUleaks, «Krypto will indeed be in … the greater DCU.»

    Given James Gunn’s history with bringing iconic comic book creatures to life, Krypto will hopefully be just as effective a character as Rocket Raccoon (Bradley Cooper and Sean Gunn), who steals every scene in the Marvel Cinematic Universe he’s in. Although his casting might take some time to get confirmed, «Supergirl: Woman of Tomorrow» is expected to begin filming in the second half of 2024, so expect names to start cropping up sometime before then.

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  • Zack Snyder’s James Bond Movie Idea Would Make One Big Change

    Zack Snyder’s James Bond Movie Idea Would Make One Big Change

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    Zack Snyder — if he were to pursue a project with a 20-year-old 007 — could also look to television as a source of inspiration in addition to the «Young Bond» books. In 1991, «James Bond Jr.» — an obscure animated series that rewrote James Bond history — ran for 65 episodes in syndication. Unlike the title of the series implies, however, Bond Jr. (voiced by Corey Burton) was not the son of the famed superspy, but his nephew.

    While «James Bond Jr.» doesn’t seem to fit the mold of a typical James Bond project — it’s the only narrative television series produced in conjunction with the 007 franchise — it does have strong ties to the 007 film series. It was co-created by Michael G. Wilson, who produces the Bond theatrical movies with his half-sister, Barbara Broccoli.

    Meanwhile, Zack Snyder isn’t the only director who would like to give the movie series a different spin. Snyder’s «Man of Steel» collaborator Christopher Nolan has said he’d definitely direct a Bond movie if he could reboot the series on his terms. As far as Snyder’s idea goes, the youngest actor to play James Bond to date was George Lazenby, who was 29 when he starred in his first and only 007 movie, 1969’s «On Her Majesty’s Secret Service.» The last Bond movie, «No Time to Die,» starring Daniel Craig as 007, was released in 2021.

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  • Most popular stories on GeekWire for the week of Dec. 24, 2023 – GeekWire

    Most popular stories on GeekWire for the week of Dec. 24, 2023 – GeekWire

    Get caught up on the latest technology and startup news from the past week. Here are the most popular stories on GeekWire for the week of Dec. 24, 2023.

    Sign up to receive these updates every Sunday in your inbox by subscribing to our GeekWire Weekly email newsletter.

    Most popular stories on GeekWire

    Valve Software dropped a surprise last month when it unveiled a new version of its handheld PC gaming device, the Steam Deck OLED. … Read More

    Scene from

    Thanks to tectonic shifts in technology and training, Olympic-level rowing has come a long way since the University of Washington’s eight-man crew pulled off the ultimate underdog win at the 1936 Olympics in Nazi Germany — the achievement celebrated in the brand-new movie adaptation of “The Boys in the Boat.” On paper, the performance of the rowers at the center of the movie — and at the center of the bestselling book on which the movie is based — pales in comparison with current Olympic and world records. … Read More

    Amazon has set the date for when it will introduce ad breaks to streaming content on Prime Video: Jan. … Read More

    In the five years since Joseph Williams advised Gov. … Read More

    Tech startup investments continued to retreat in 2023 as venture capitalists tightened their belts and companies trimmed costs amid uncertainty about the broader economy. … Read More

    My whippet Roxy is smart. She understands dozens of words and phrases well beyond sit and stay. … Read More

    Citing new ordinances recently passed in Seattle that aim to help gig workers, the Target-owned delivery service Shipt informed customers this week that it will pause operations in the city starting Jan. … Read More

    Year in Aerospace: Atlas V launch with Amazon Kuiper satellites

    If 2022 was packed with headline-grabbing aerospace developments — including the first pictures from the James Webb Telescope and the first launch of NASA’s giant moon rocket — 2023 was what you might call a rebuilding year. … Read More

    After years of hype, virtual reality still hasn’t achieved mainstream consumer adoption. … Read More

    The New York Times filed a lawsuit Wednesday against OpenAI and Microsoft, accusing the companies of copyright infringement for training artificial intelligence models on millions of articles published by the newspaper. … Read More

  • Secret Wars Villain Rumor Explains How Marvel Can Fix Its Kang Problem

    Secret Wars Villain Rumor Explains How Marvel Can Fix Its Kang Problem

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    In the pages of Marvel Comics, the Beyonder is a member of the race of the same name who becomes fascinated with Earth. He creates a planet called Battleworld and forces various heroes and villains from the Marvel roster to duke it out there for his amusement. To interact more directly with humanity, he eventually takes on a human form and walks among the beings he’d spent so long observing. The pertinent detail here is that the Beyonder is his own individual, not another Marvel Comics antagonist in disguise. However, for his MCU adaptation, that could very well change.

    In their social media post regarding the Beyonder supposedly arriving in the MCU, MyTimeToShineHello mentions that the Beyonder is Marvel Studios’ ticket to recasting Kang. If this is indeed the case, it can be inferred that the MCU’s Beyonder might be a vastly powerful Kang variant. Perhaps somewhere in the ever-expanding multiverse, a version of Kang has reached a level of omnipotence unlike any of his other variants, transforming from a mere master of multiverse travel and conqueror of timelines to an all-seeing, all-knowing entity that exists outside time and space.

    Could this solve the Kang problem? MCU fans will no doubt learn what the future holds for Kang and potentially the Beyonder as «Avengers: The Kang Dynasty» and «Avengers: Secret Wars» inch closer to their respective release dates.

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  • Magneto May Return In An X-Men Supervillain Team Movie

    Magneto May Return In An X-Men Supervillain Team Movie

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    If the Brotherhood of Mutants sounds at all familiar, it’s probably because the supervillain team is a key part of «X-Men» history — both on and off the silver screen. A dark inverse of the X-Men, the Brotherhood of Mutants debuted in Marvel Comics all the way back in 1964, mere months after the X-Men themselves were introduced to readers for the very first time. Countless iterations of the group have been featured across media in the ensuing decades, but the lineup almost invariably features some of the most well-known baddies from the «X-Men» mythos.

    The comic book iteration of the Brotherhood of Mutants is often led by Magneto, lending credence to the rumor that he will appear in a movie based on the team. It has also featured mainstays like Blob, Mystique, Sabretooth, and Juggernaut, along with well-known enemies turned friends like Rogue and the Scarlet Witch. The version seen in the «X-Men» movies has a similarly revolving roster, featuring the likes of Magneto, Mystique (Rebecca Romijn), Toad (Ray Park), Sabretooth (Tyler Mane), Pyro (Aaron Stanford), Phoenix (Famke Janssen), Juggernaut (Vinnie Jones), and the Omega Gang among its ranks.

    All of this is to say that a potential MCU movie focused on the Brotherhood of Mutants would have plenty of material to draw from. It could also help further distinguish the MCU’s take on the «X-Men» mythos from Fox’s iteration, and Marvel Studios has already indicated a willingness to delve into edgier team-up movies with «Thunderbolts.»

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  • What Happened To Anton Yelchin? The Tragic Death Of The Star Trek Actor

    What Happened To Anton Yelchin? The Tragic Death Of The Star Trek Actor

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    Before Anton Yelchin’s death, a recall for 2014 and 2015 Jeep Cherokee models was issued after reports of injuries from people who thought they put their vehicles in park — only for them to be in neutral and capable of rolling away. Dozens of injuries came to light, but according to The New York Times, the National Highway Traffic Safety Administration released a statement following the actor’s passing, saying, «This the first fatality we’re aware of that may be related to this safety defect and vehicle recall.»

    Victor and Irina Yelchin, Anton Yelchin’s parents, filed a lawsuit against Fiat Chrysler for wrongful death and product liability. Victor Yelchin released a statement at the time of filing: «In spite of our unbelievable grief, we decided to come here to prevent other families from the same tragedy.» The Los Angeles Times reported on March 22, 2018, that the two parties had reached a confidential settlement. 

    No amount of money can bring a child back, but hopefully, the lawsuit and the story of what happened to Anton Yelchin will remind everyone of the preciousness of life and being aware of any product recalls regarding vehicles. 

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  • 5 Tom King Stories That Might Shape James Gunn’s DC Universe

    5 Tom King Stories That Might Shape James Gunn’s DC Universe

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    If James Gunn wants to have some fun with an otherworldly crime drama, the almost concluded «Danger Street» (by Tom King, Jorge Fornés, Dave Stewart, and Clayton Cowles) limited series would allow the eclectic director to explore a more bizarre side of the DC Comics Universe.

    In 1975, DC Comics launched a new anthology series, «1st Issue Special,» with each issue starring a different character in hopes of serving as a springboard into popularity and a new ongoing book for those appearing. With several superstar creators involved, including Jack Kirby, Joe Simon, Gerry Conway, Denny O’Neil, Ramona Fradon, and Steve Ditko, the book introduced the likes of Lady Cop, Mark Shaw’s Manhunter, and Warlord while also featuring heroes in need of a boost at the time, such as Metamorpho, the Creeper, Doctor Fate, and the New Gods. The «1st Issue Special» was a failure in that it didn’t help launch any new titles — but more than 45 years after it was released, the idea was remixed into something new.

    «Danger Street» stars all the heroes and villains of the original «1st Issue Special,» telling an interconnected tale involving billionaire children, murder, power struggles, and heroism. Somehow, King and Fornés combine the stories of gods, humans, and everything in between while offering a funny — and, at times, dark — reimagining of what was never meant to be a combined story. Centered on Starman and Warlord’s quest to join the Justice League, each issue features a domino falling in the world around them as a result of their terrible plan. «Danger Street» would make an excellent anthology series, with each episode focusing on a different hero.

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  • NY Times vs. Microsoft; Plus, Oren Etzioni on AI in 2023 and beyond – GeekWire

    NY Times vs. Microsoft; Plus, Oren Etzioni on AI in 2023 and beyond – GeekWire

    Image created by AI in Microsoft Designer, based on the prompt, “Generate an image reflecting the rise of AI in 2023 and what’s next in the field.”

    “The biggest surprise is that AI used to be narrow. … And when you went from one application to the other, you had to redo it all from scratch. What’s really surprised us is the emergence of general tools. … It’s almost the love child of a search engine, like Google, which you can talk to about anything, with the somewhat limited but very real intelligence of AI systems.”

    AI2 technical director Oren Etzioni. (AI2 Photo)

    That’s computer scientist and entrepreneur Oren Etzioni, our guest this week on the GeekWire Podcast, reflecting on the past year in AI, and looking ahead to what’s next.

    Etzioni, an AI leader for many decades, is professor emeritus at the University of Washington, Allen Institute for AI (AI2) board member, AI2 Incubator technical director, and Madrona Venture Group venture partner.

    Among other roles, he served on the National AI Research Resource Task Force, which advised the White House on policy issues, and he’s working on a project to combat AI-related misinformation in the upcoming elections.

    In the first segment of the show, my colleague John Cook and I discuss the big AI news of the week: The New York Times Co.’s lawsuit against Microsoft and OpenAI over their use of its articles in GPT-4 and other AI models.

    Listen below, or subscribe to GeekWire in Apple Podcasts, Google Podcasts, Spotify or wherever you listen, and keep reading for key takeaways.

    Highlights from Oren Etzioni’s comments, edited for clarity and length:

    The evolution of AI in the past year: “It’s really been a wake-up call. … I like to say our overnight success has been decades in the making. And a lot of us have been aware of the potential of AI for a while. I don’t think any of us anticipated just how quickly and how dramatically, it would come in the shape of ChatGPT, and so on. But we all knew that it was coming. Now, it turns out that the rest of the world, literally, is catching up. That includes the politicians, that includes the kids, that includes the teachers. It’s now changing every aspect of society.”

    The role of AI in our work and lives: “Copilot might not even be the right phrase. Maybe an assistant. And an assistant is often only as good as the tasks that you’re able to give it. We cannot delegate some things, we delegate badly, and they’re ill-specified. … I think we have here the potential of finding the drudgery, finding the things you don’t like to do, and having AI give you a big help with those.”

    The “toothbrush test” for AI: “What happens next in 2024, is what somebody once called the toothbrush test. So how many times a day do you use the technology. For most of us, toothbrush is two to three times. So I think that in 2024, the toothbrush test for AI is going to explode. We’re going to find that we’re using it two, three, 10, 20 times a day. And I’m not even talking about its implicit use where you’re doing speech recognition in your car, or the Google search engine is using it to re-rank things. I’m talking about us interacting with AI systems, with our music, and our art, or in our job. I think it’s going to be easily 10 times a day on average.”

    The need for strong open-source models: “The consolidation of power in AI is a huge risk. And we’ve seen some of that with the top corporations. The countervailing forces are, number one, open source models. A great analogy here is what we’ve seen in operating systems. We had Windows, which billions and billions and dollars went into. But we also had Linux, which the open-source movement championed. So I hope that we will have a Linux of language models, a Linux of AI. And I also think that the government has a role to play in making resources available.

    The risks of AI-fueled misinformation: “We’ve already seen it in previous elections, but it’s gotten cheaper, easier to do with generative AI, and I am terrified of its effect on the November election … on the primaries, on the election itself, the potential for distrust, and so on. And I am determined to do something about it to help figure out how generative AI doesn’t become the Achilles heel of democracy.”

    What it will take to combat AI misinformation: “I think we need strong regulations. I think we need education. People need to understand how to critically evaluate what they’re hearing, particularly over social media. … In addition, we do need watermarking, authentication, provenance, so we know where things come from. And in addition to all that, we need the ability to detect. So when I see a video, when I hear audio, I have to be able to ask, ‘Was this altered? Was this manipulated? Was this automatically generated by AI?’ With those pieces, I think we have hope to have a robust system. Without any of them, I think we are seeing some major risks.”

    The prospects for AI startups: “Some people have the perception that right now, it’s hard to launch a successful startup because of the huge amount of compute power required for these massive models. I think nothing could be further from the truth. We’re at a moment of disruption, and disruption creates a lot of opportunities.”

    Advice for aspiring computer scientists: “One, study the fundamentals. Math, statistics, the basic ideas of computer science, those have not changed. Those are the building blocks on which we’re building the latest technology. …

    “The second thing I want to say is, follow your passion. So often, people are worried or trying to game the future. Well, I should study this because I could get that job and I should do this. You’re young, the world is changing quickly. Follow your passion, enjoy the educational process, enjoy learning what what you need to do, and these things will take care of themselves.”

  • I had a blast playing ‘Squid Game Virtuals’ at a VR arcade — but here’s why I likely won’t return – GeekWire

    I had a blast playing ‘Squid Game Virtuals’ at a VR arcade — but here’s why I likely won’t return – GeekWire

    Groups of up to six people can play various games inside Sandbox VR arcade locations around the world. (Sandbox VR Photo)

    After years of hype, virtual reality still hasn’t achieved mainstream consumer adoption. But it sure helped my group of friends have a ton of fun earlier this month.

    We spent a weeknight at Sandbox VR in Seattle, one of more than 45 locations worldwide where the San Francisco-based startup offers virtual reality experiences for groups of 2-to-6 people.

    VR arcades are not new, though the technology has improved over the years. Sandbox survived the pandemic shutdowns and is now growing quickly after raising $37 million two years ago. It added 12 locations this year with plans for more in 2024. Its investors include firms such as Andreessen Horowitz and celeb investors including Justin Timberlake, Katy Perry, and Kevin Durant.

    Inside the Seattle-based Sandbox VR location, where customers can experience the hit Netflix show “Squid Games” as a VR game. (GeekWire Photo / Taylor Soper)

    After our group arrived at the South Lake Union location in Seattle, we spent 15 minutes for training and setup. It takes some time to strap on motion sensors to your wrists and ankles, and get comfortable wearing the vest and headset, all powered by HTC technology.

    We moved into an empty room lined with overhead sensors. We strapped on our headsets and soon saw each other as virtual avatars. We laughed and commented on how trippy it was to be together in a physical space but interact in this “metaverse” of sorts.

    Sandbox offers an array of games it develops in-house, including “Squid Game Virtuals,” one of the company’s newer experiences based on the hit Netflix show. It launched in September and quickly gained popularity, generating $4.5 million in revenue for Sandbox in two months.

    “Squid Game Virtuals” runs through various mini-competitions, just like in the show, though instead of being eliminated you get to respawn if you happen to move excessively in “Red Light, Green Light” or fall through the glass bridge.

    There was a slight glitch to start but a few minutes later, the Squid Game began.

    Players collect points throughout the experience and a winner is crowned at the end. There’s a fun element of both teamwork and potential sabotage that keeps things interesting.

    The motion-capture tech worked pretty well, accurately sensing your body movements — key for something like this to really work.

    After 30 minutes of gameplay, we took off the headsets and watched video replays of our experience. We had a lot of fun — which seems to be a common review, according to Mason McKean, a Sandbox employee who helped our group.

    “My favorite part is seeing people come in from tech companies that are mainly introverts or typically more reserved, and seeing them come out of the experience with this big smile on their face,” McKean said. “You can tell that they’re elated and relaxed and unwound a little bit, which is wonderful.”

    (Sandbox VR Photo)

    I would love to come back and try all the other games Sandbox offers. But I probably won’t.

    Sandbox typically charges $50 to $55 per person for just 30 minutes of play. (Editor’s note: GeekWire received complimentary admission for purposes of this review.)

    This might make sense for companies looking for a team-building event, or big groups celebrating birthdays or bachelor/bachelorette parties, as advertised on the company’s website.

    But for me, it’s just too steep a price for too little return. The VR is definitely cool, but $50 could go a long way at a traditional arcade, pinball joint, or other forms of live entertainment. Or, I could invest in my own VR headset and play at home.

    Whether Sandbox keeps growing remains to be seen. There are several competitors in the Seattle region, including Hive VR, Dimension XR, and Zero Latency.

    Tim Harader, a longtime Seattle tech exec, founded a VR arcade company called Portal with his wife in 2017. The company, which had locations in Ballard and Bellevue, announced plans to shut down earlier this year.

    Portal’s business was growing and reached profitability just before the pandemic began in 2020, which hit physical retail and entertainment venues hard given restrictions on indoor gathering.

    Portal founder Tim Harader (right), circa 2018, inside his VR arcade that shut down this year. (GeekWire File Photo / Taylor Soper)

    Harader cited other pandemic-driven impacts — people staying at home more and the shift to remote work — as well as increasing labor costs that contributed to Portal’s demise.

    He isn’t sure if the VR arcade business is sustainable moving forward.

    “For location-based entertainment venues, it’s a balance of reaching your maximum capacity versus your operating expenses,” he said. “It may work in some places but not others.”

    Offering food and beverage could help boost revenue, he added.

    Other Seattle-area venues offering VR arcades have shut down in recent years, including VR Go, Virtual Sports, and Odyssey Virtual Reality.

    Harader, a former longtime Microsoft exec, is now a vice president at Librestream, which develops augmented reality technology for industrial companies.

    While there are some established enterprise use cases for VR and AR, the consumer market still lacks a breakout app and headset sales dropped nearly 40% this year, according to CNBC.

    Even with Apple set to release its Vision Pro headset next year and Meta continuing to invest heavily in the sector, Harader believes we’re still years away from mainstream consumer adoption. The technology just isn’t good enough, he said.

    “When you think about the required power and battery life and visual clarity you need for a device that you’re going to wear for more than an hour or two — nothing is there yet,” he said. “They still have to develop better battery technology, better display technology, and more powerful compute.”

    In the meantime, companies such as Sandbox — which opened a new development studio in Vancouver, B.C., this year — will try to draw customers into their locations. In a statement to GeekWire, Sandbox CEO Steve Zhao said people are “gravitating towards immersive experiences and VR is a conduit to that.”

    “You see companies continue to invest in VR,” he said. “There are a lot of folks everywhere hedging on this bet because immersion is something that gamers want, and is a natural progression.”